

Editor's Library
Built for moods and tonal statements; workflow and utility bases; colour harmony and palettes; rescue and correction; black and white editorial. The subjects inside it are general, film, product, night and monochrome. The light runs mid, film matte, neutral natural and high key.
Editbench Editor's Library is 1,476 presets in 82 collections.
was $649now $299
This is the welcome price, and it is your first purchase from the network.
Before your first download we refund, no questions asked. After a download, sales are final except a technical fault we cannot fix or a duplicate charge.
Add it and keep looking. Your cart follows you across every store in the network.
- Works inLightroom desktop and mobile
- Format.xmp and .dng
- DeliveryInstant download, and it stays in your account
What it does to a photograph


































It does not cover architecture, interiors and property; light and weather; travel and street; portrait skin and studio lighting. Those collections live in other products on this network, and nothing here stands in for them.
What is inside, territory by territory
Moods and tonal statements
15 collections, 270 presets
- Austere Distance
- Bone Cream
- Close Intimacy
- Deep Calm
- Formal Study
- Hard Modern
- Held Back
- Held Tension
- and 7 more
Workflow and utility bases
15 collections, 270 presets
- Composite Match
- Deep Shadow
- Dodge Burn Base
- Firm Contrast
- Flat Base
- Grade Ready
- HDR Return
- Micro Detail
- and 7 more
Colour harmony and palettes
14 collections, 252 presets
- Analogous Cool
- Analogous Warm
- Complementary Pair
- Copper Rose
- Monochrome Hue
- Moss Olive
- Neutral Accent
- Ochre Field
- and 6 more
Rescue and correction
14 collections, 252 presets
- Backlit Save
- Blown Highlight
- Bright Key
- Flash Harsh
- Gentle Lift
- Green Cast
- High ISO
- Mixed Source
- and 6 more
Black and white editorial
8 collections, 144 presets
- Contact Print
- Copper Wash
- Grain Report
- Plate Room
- Platinum Print
- Press Black
- Selenium Tone
- Silver Halide
Film and cinematic
8 collections, 144 presets
- Anamorphic Wide
- Bleach Pass
- Colour Neg
- Instant Pack
- Matte Finish
- Rich Print
- Slide Film
- Snapshot Vernacular
Output media and print
8 collections, 144 presets
- Backlit Film
- Baryta Gloss
- Canvas Wrap
- Cotton Rag
- Gloss Magazine
- Metal Panel
- Newsprint Set
- Small Screen
What contains what
5 smaller products are wholly inside this library. Buy this one and you have all of them; buy one of them first and what you paid comes off this price.
- Film and Darkroom288 of these 1,476 presets
- Colour Systems252 of these 1,476 presets
- Film Archive144 of these 1,476 presets
- Darkroom144 of these 1,476 presets
- Palette Set126 of these 1,476 presets
This library is itself inside 1 larger library.
- Whole Libraryadds 2,700 presets on top
Before you buy
Do these work in the free Lightroom app?
Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, and they work in Lightroom Classic and Lightroom on desktop too.
Is this a bundle of other people's presets?
No. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on real photographs before it ships.
Can I use them for client work?
Yes. The single-user licence covers personal and commercial photography. You cannot resell the preset files themselves.
What if it does not work?
Before your first download we refund, no questions asked. After a download, sales are final except a technical fault we cannot fix or a duplicate charge. The refunds page has the rest.
the maker
Why I make these
I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.
Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on real photographs before it ships. Nothing is a filter dropped on top of your work.
What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.
Netzah Elad Topaz, photographer and software builder