PRE|SETS
Tray one is people: the skin finished for the pattern you lit, deep and pale tones handled on their own terms, and every booking from the newborn to the graduation to the dance floor, with sport from the pool deck to the gym. Tray two is places: listings and galleries, stone and glass, every detail from brick to window, the street with its faces and rain and markets, and the plain documentary edge of town.
Tray three is things: glass, gems, fabric, gold, leather, ceramic, chrome, the black set and the white sweep; airframes, bike frames, engine bays, railway steel and showroom paint; the cafe counter, the kitchen table, the daylight plate and the Sunday meal; and the lens, from the kit zoom to the uncoated vintage glass.
Then outside. Land and light run the year: altitude and distance, the overcast ladder from a thin veil to a low ceiling, first light to last warmth, fog and storm, and the seasons from spring green to winter pale. Nature and night go from the fern floor to the stars: bark and petal, feather and fur, beach, harbour and reef, blue hour, the Milky Way and the moon.
Not on this table: the treatment drawers, colour systems, moods, film, darkroom, rescue, workflow and print output, which are the Editor's Library, and the exclusive sets each specialist brand sells on its own page only, Beauty Clean, Pet Portrait, Snow Field, Surf Spray, Aurora Curtain, Highland Thin, Stained Glass, Hotel Lobby, Chrome Trim, Metal and Glass, Dark Plate, Wide Bokeh and the rest. The Subjects Library and the Outdoor System are this table's two halves, sold on their own.
