Plateaublue

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The presets

• No. 01Plateau Bluethin air scatters less, so the zenith sky is deep and the shade is unfilled: blue luminance is dropped and the shadows opened together see it

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  Drag the handle. Left is the original, right is Plateau Blue. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 02Rare Airat low air pressure the Rayleigh path is short, which darkens the sky without touching saturation see it

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  Drag the handle. Left is the original, right is Rare Air. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 03Airless Noonfor a high plateau near local noon, where the beam is nearly unattenuated and the highlights are pulled hard see it

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  Drag the handle. Left is the original, right is Airless Noon. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 04Hard Shadeunfilled shade at altitude is close to black, so the blacks set deep and the shadow slider does the recovery see it

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  Drag the handle. Left is the original, right is Hard Shade. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 05Sun Stingthe direct beam at altitude carries more short-wave energy, and this grades the resulting cool bite see it

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  Drag the handle. Left is the original, right is Sun Sting. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 06Cobalt Skya thin-atmosphere sky runs toward violet, which is why the blue hue is turned that way and purple given saturation see it

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  Drag the handle. Left is the original, right is Cobalt Sky. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 07Scree Fieldloose rock under brutal light, graded on red and aqua luminance to keep the stone from going flat see it

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  Drag the handle. Left is the original, right is Scree Field. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 08Altitude Burnfor the extreme range of a high plateau, with the highlight parametric band held and the toe left deep see it

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  Drag the handle. Left is the original, right is Altitude Burn. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 09Void Shadeshade at altitude is lit only by a deep sky, so the shadow grading wheel is lowered and cooled see it

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  Drag the handle. Left is the original, right is Void Shade. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 10Ultraviolet Edgeshort-wave energy is higher up here; the purple and blue bands carry that rather than the saturation slider see it

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  Drag the handle. Left is the original, right is Ultraviolet Edge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 11Granite Glarebare stone in unfiltered sun, where clarity and texture separate the surface that colour cannot see it

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  Drag the handle. Left is the original, right is Granite Glare. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 12Blue Zeniththe sky overhead is the darkest part of a high-altitude frame, and this grade preserves that inversion see it

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  Drag the handle. Left is the original, right is Blue Zenith. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 13Sun Cuta hard-edged beam makes hard-edged shadows, so the curve is set for the transition rather than the tone see it

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  Drag the handle. Left is the original, right is Sun Cut. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 14Shade Wellfor the deep shade beside a rock face, opened by the shadow slider and cooled by the grading wheel see it

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  Drag the handle. Left is the original, right is Shade Well. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 15Peak Glareat altitude the specular return from wet or icy rock is intense, so the highlights are held far down see it

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  Drag the handle. Left is the original, right is Peak Glare. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 16Stark Ridgean exposed ridge under thin air, with the aqua luminance dropped so distance does not go pale see it

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  Drag the handle. Left is the original, right is Stark Ridge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 17Indigo Skya violet-leaning sky is a physical consequence of a short scattering path, and the midtone wheel places it see it

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  Drag the handle. Left is the original, right is Indigo Sky. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 18Bare Slopefor open ground at altitude, graded cool on the white balance and restrained on global saturation see it

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  Drag the handle. Left is the original, right is Bare Slope. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Buying happens on the brand's own store: plateaublue.forestech.io.