bw editorial · 15 presets
Inklooks
Issue 01 is 15 presets. Every one of them below, each on the same four photographs. Drag any handle.
Get Issue 01 for $49.99 (list $79.99)
The presets
No. 01Soft Proofsoft classic portrait mono, gentle tonality and open shadows for timeless sittings
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Soft Proof. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 02Bright Sitterluminous bright-skin portrait mono, orange and yellow luminance lifted for glowing faces
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Bright Sitter. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 03Carved Lightcarved dramatic portrait mono, deep blacks and sculpted midtone contrast
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Carved Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 04Curb Graingritty street mono, heavy grain and coarse texture for hard pavement stories
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Curb Grain. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 05Wire Copyclean documentary street mono, honest neutral tonality that stays out of the picture
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Wire Copy. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 06Noon Editionhigh-key street mono, bleached daylight with airy shadows and thin blacks
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Noon Edition. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 07Blacklinehard graphic architecture mono, poster-black contrast and darkened skies for pure geometry
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Blackline. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 08Zinc Platesilver mid-tone architecture mono, dense midtone detail with restrained extremes
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Zinc Plate. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 09Pulp Fadematte fade film-paper mono, lifted blacks and capped whites with newsprint grain
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Pulp Fade. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 10Warmplatewarm-silver tinted mono, a bathed print warmth over classic gelatin contrast
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Warmplate. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 11Last Traindeep shadow city mono, crushed night blacks with lamp highlights held bright
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Last Train. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 12Reading Lampsoft dim interior mono, hushed low-contrast warmth for quiet rooms after dark
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Reading Lamp. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 13Iron Skyred-filter landscape mono, blue sky driven black while warm land tones lift
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Iron Sky. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 14Milk Foggentle fog landscape mono, veiled contrast and pale distance kept soft on purpose
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Milk Fog. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 15Mastheadthe cover look, confident editorial ink with faded toe, deep sky and selenium cool
The alley says more in ink
Cables, sky, nothing else
The grid the color was hiding
A face, fully read Drag the handle. Left is the original, right is Masthead. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
Buying happens on the brand's own store: inklooks.forestech.io.