Mono Film is silver. Every preset converts to black and white and then makes a decision: how much grain, how hard the contrast, whether the blacks sit on the floor or float, whether the paper is neutral, warm or cold. Its dialect is the darkroom and the newsroom: reportage, tone, grain, paper. It runs four lines, grain 400, pushed 3200, matte editorial and toned, and every product says which paper it prints on. There is no colour here and nothing soft that did not mean to be.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.








