About this pack
Matte Mono is the fine-art paper. Black lift sits between 10 and 24, contrast is capped at 20, grain is capped low by preferring the platinum and matte look groups, and the whole frame settles into a soft floor with long greys. It is the black and white that fashion and portfolio work has used for a decade, and it is the flagship of the matte editorial line. Skin clears a floor of 6. Soft 400 Mono is the grainy cousin; this one keeps the grain out of the way and lets the tone do the work.
The matte editorial line is the fine-art paper: grain low or absent, blacks lifted to a soft floor, contrast controlled, the fashion and portfolio look where the tone does the work and the grain stays out of it.
Every preset ships as XMP for Lightroom Classic and desktop and as DNG for the free Lightroom mobile app. Convert one frame, sync the rest, and the set prints as one run. The grain is real grain, added after the conversion, so it sits in the tone and not on top of it.
- Black lift 10 to 24 with contrast under 20, the soft matte floor
- Grain kept low by construction, tone does the work
- XMP and DNG in one download: Lightroom Classic, desktop and the free mobile app
- One paper across the set, so a whole roll batch-edits and reads as one print run
fashion, lookbooks, portfolios and portraits that should feel printed on matte stock
Mono Film is silver. Every preset converts to black and white and then makes a decision: how much grain, how hard the contrast, whether the blacks sit on the floor or float, whether the paper is neutral, warm or cold. Its dialect is the darkroom and the newsroom: reportage, tone, grain, paper. It runs four lines, grain 400, pushed 3200, matte editorial and toned, and every product says which paper it prints on. There is no colour here and nothing soft that did not mean to be.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.