PRE|SETS
Cables, sky, nothing else. With the Mono Film preset applied.Cables, sky, nothing else. Photographed without a preset.
Mono Film applied to Cables, sky, nothing else

Pushed 3200

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  • Presets10
  • Styleblack and white, mono, grain
  • Works inLightroom desktop and mobile
  • Format.xmp and .dng

Mono Film · mono

Mono Film makes one kind of light.

Converts a frame to film pushed to 3200: heavy grain, contrast up, shadows gone to black and highlights blooming at the edges.

Pushed 3200 is 10 presets for mono photography. Every one of them is below, before you pay for any of it.

About this pack

Pushed 3200 is the roll you shot at night and told the lab to push. Grain starts at 25, contrast at 25, the blacks are crushed with a lift capped at 4 and there is no highlight floor, so a streetlamp blooms and a face against it goes to silhouette. It is the flagship of the pushed line and the loudest black and white in the brand. On a bright frame it looks like a mistake; on a dark one it looks like the only honest way to print it.

The pushed line is the same film shot in the dark and developed hard: heavy grain, contrast up, shadows gone to black and highlights blooming. It is for night, gigs and the frames where the light was bad and the picture was worth it anyway.

Every preset ships as XMP for Lightroom Classic and desktop and as DNG for the free Lightroom mobile app. Convert one frame, sync the rest, and the set prints as one run. The grain is real grain, added after the conversion, so it sits in the tone and not on top of it.

  • Grain 25 up with contrast 25 up, the pushed-roll texture
  • Black lift capped at 4 and no highlight floor, lamps bloom and shadows go
  • XMP and DNG in one download: Lightroom Classic, desktop and the free mobile app
  • One paper across the set, so a whole roll batch-edits and reads as one print run

night streets, bars, gigs and any frame where the light was bad and the picture was worth it

The look is inspired by pushed high-speed black-and-white films such as Ilford Delta 3200. This product is not made, licensed or endorsed by Harman Technology. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.

See the light change

drag the line

The same frame, one tap apart. Drag any handle and the scene goes back to the way it looked before Mono Film touched it.

The rooftop hour, kept the way it felt. With the Mono Film preset applied.The rooftop hour, kept the way it felt. Photographed without a preset.
Mono Film applied to The rooftop hour, kept the way it felt.
The rooftop hour, kept the way it felt.
Cocktail bar. With the Mono Film preset applied.Cocktail bar. Photographed without a preset.
Mono Film applied to Cocktail bar
Cocktail bar
A fire escape zigzagging up a brick facade, night, lit only by street and shop lights. With the Mono Film preset applied.A fire escape zigzagging up a brick facade, night, lit only by street and shop lights. Photographed without a preset.
Mono Film applied to A fire escape zigzagging up a brick facade, night, lit only by street and shop lights
A fire escape zigzagging up a brick facade, night, lit only by street and shop lights

Explore every preset in this pack

10 presets · 4 scenes

Every preset in the pack is here, on the same four photographs. Nothing below is a sample. Open one and drag.

  1. No. 01Valley Floor
    Valley Floor applied to Bridge cables Before: Bridge cables
    Bridge cables
    Valley Floor applied to City rooftop Before: City rooftop
    City rooftop
    Valley Floor applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Valley Floor applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Valley Floor. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. No. 02Blunt Edge
    Blunt Edge applied to Bridge cables Before: Bridge cables
    Bridge cables
    Blunt Edge applied to City rooftop Before: City rooftop
    City rooftop
    Blunt Edge applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Blunt Edge applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Blunt Edge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. No. 03Union Hall
    Union Hall applied to Bridge cables Before: Bridge cables
    Bridge cables
    Union Hall applied to City rooftop Before: City rooftop
    City rooftop
    Union Hall applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Union Hall applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Union Hall. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. No. 04Pine Stand
    Pine Stand applied to Bridge cables Before: Bridge cables
    Bridge cables
    Pine Stand applied to City rooftop Before: City rooftop
    City rooftop
    Pine Stand applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Pine Stand applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Pine Stand. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. No. 05CS-14 Mono Grit
    CS-14 Mono Grit applied to Bridge cables Before: Bridge cables
    Bridge cables
    CS-14 Mono Grit applied to City rooftop Before: City rooftop
    City rooftop
    CS-14 Mono Grit applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    CS-14 Mono Grit applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is CS-14 Mono Grit. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. No. 06Portrait Plate
    Portrait Plate applied to Bridge cables Before: Bridge cables
    Bridge cables
    Portrait Plate applied to City rooftop Before: City rooftop
    City rooftop
    Portrait Plate applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Portrait Plate applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Portrait Plate. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. No. 07SN-14 Iron Night
    SN-14 Iron Night applied to Bridge cables Before: Bridge cables
    Bridge cables
    SN-14 Iron Night applied to City rooftop Before: City rooftop
    City rooftop
    SN-14 Iron Night applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    SN-14 Iron Night applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is SN-14 Iron Night. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. No. 08Full Bleed
    Full Bleed applied to Bridge cables Before: Bridge cables
    Bridge cables
    Full Bleed applied to City rooftop Before: City rooftop
    City rooftop
    Full Bleed applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Full Bleed applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Full Bleed. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. No. 09Front Page
    Front Page applied to Bridge cables Before: Bridge cables
    Bridge cables
    Front Page applied to City rooftop Before: City rooftop
    City rooftop
    Front Page applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Front Page applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Front Page. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. No. 10Border Post
    Border Post applied to Bridge cables Before: Bridge cables
    Bridge cables
    Border Post applied to City rooftop Before: City rooftop
    City rooftop
    Border Post applied to Mono 014 fire lowlight Before: Mono 014 fire lowlight
    Mono 014 fire lowlight
    Border Post applied to Stone steps Before: Stone steps
    Stone steps

    Drag the handle. Left is the original, right is Border Post. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Mono Film is silver. Every preset converts to black and white and then makes a decision: how much grain, how hard the contrast, whether the blacks sit on the floor or float, whether the paper is neutral, warm or cold. Its dialect is the darkroom and the newsroom: reportage, tone, grain, paper. It runs four lines, grain 400, pushed 3200, matte editorial and toned, and every product says which paper it prints on. There is no colour here and nothing soft that did not mean to be.

Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.

Yours in two minutes

how it works

  1. Step 1

    Buy

    Pay with Apple Pay, Google Pay or a card.

  2. Step 2

    Download

    The zip downloads right away, and a copy lands in your email.

  3. Step 3

    Import

    Add the presets to Lightroom in a minute.

    PhoneClassicDesktop

  4. Step 4

    Tap

    One tap on any photo. Every slider stays yours to adjust.

Yours to keep, for personal and client work. Please do not share the files. The license

Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Questions, answered

Does it work in Lightroom Classic, Lightroom desktop and the free mobile app?

Yes. Every preset ships as XMP for Lightroom Classic and Lightroom desktop and as DNG for the free Lightroom mobile app on iPhone and Android. Import once, apply with one tap, batch the rest.

Is it safe on skin tones?

This set is built for the scene first, not skin first. It will not wreck a face, but for a people-first edit use Portrait 400 Mono. In black and white, skin safety means the face keeps its brightness relative to the frame and the red channel does not go muddy.

How strong is the effect?

Strong. Every preset here scores 6.5 or higher on our 0 to 10 transformation scale, so the change shows on the first tap. Pull Amount down in the preset panel to soften it, or stack it under a lighter sibling.

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 10 presets from Grain 400 Mono as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.

What else is like this

All mono
Cafe window, one tap later. With the Reeltint preset applied.Cafe window, one tap later. Photographed without a preset.
Reeltint applied to Cafe window, one tap later

Reeltint

Everyday and mobile creators · 15 presets

was $49.99now $29.99Save $20

The rooftop hour, kept the way it felt. With the Roamhue preset applied.The rooftop hour, kept the way it felt. Photographed without a preset.
Roamhue applied to The rooftop hour, kept the way it felt.

Roamhue

Travel and street · 15 presets

was $49.99now $29.99Save $20

The croissants look warm again. With the Savoryhue preset applied.The croissants look warm again. Photographed without a preset.
Savoryhue applied to The croissants look warm again.

Savoryhue

Food and hospitality · 15 presets

was $49.99now $29.99Save $20

The gate, the field, the green done right. With the Mossgrade preset applied.The gate, the field, the green done right. Photographed without a preset.
Mossgrade applied to The gate, the field, the green done right

Mossgrade

Green nature and macro · 15 presets

was $49.99now $29.99Save $20