About this pack
A car at night on motion-picture negative is warm sodium on the paint, cyan in the shadows, tail lights held as red rather than white, and blacks that go deep without noise. These ten looks do that on a digital file: cinematic split, high contrast, highlights protected for the lights and the chrome, grain kept finer than the halation packs because the cinema look is cleaner. It is the first pack in the cinema-night line and the one for automotive work after dark. Ten presets, one look, one job, stepping from a subtle glow to the full bloom so you pick the version the frame wants. XMP for Lightroom Classic and Lightroom desktop, DNG for the free Lightroom mobile app; exposure and crop are left to you. Night Halation is for the hours when the lights come on and the camera should have been loaded with cinema film.
- Paint and chrome under sodium
- Tail lights red, not white
- Cyan shadows, deep blacks
- Finer grain than halation
Automotive night shoots, parking garages, petrol stations, city streets with cars.
The look is inspired by motion-picture colour negative film such as Kodak Vision3. This product is not made, licensed or endorsed by Kodak. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.
Night Halation is 800-speed cinema colour negative shot after dark: streetlights that bloom red at the edge, tungsten that stays warm, shadows that go cyan, blacks that stay open and grainy. It is the diner, the petrol station, the parking lot, the hotel sign, the wet road, the window at night. The dialect is late, cinematic in mood but never a grade, warm lights against cool dark. Every pack says which lights, which dark and how much glow, and never confuses the halation look with a split-tone filter.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.