About this pack
Shoot cinema negative at night and the streetlights do something digital never does: they bloom, a warm red edge around every bright point, while the shadows slide toward cyan and the blacks fill with grain instead of going black. These ten looks chase that on a digital file: warm highlights, cool shadows, exposure held down so night stays night, blacks lifted a step, grain heavy. It is not a teal-and-orange grade; the split is soft and the colour stays muted. The ten run from a subtle glow to a full bloom on every lamp. Ten presets, one look, one job, stepping from a subtle glow to the full bloom so you pick the version the frame wants. XMP for Lightroom Classic and Lightroom desktop, DNG for the free Lightroom mobile app; exposure and crop are left to you. Night Halation is for the hours when the lights come on and the camera should have been loaded with cinema film.
- Lights bloom warm, red-edged
- Shadows cyan, blacks open
- Grain fills the dark
- Night stays night, never lifted
Night streets, shop fronts, crossings, petrol stations, the walk home.
The look is inspired by 800-speed tungsten-balanced cinema film. This product is not made, licensed or endorsed by any film manufacturer. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.
Night Halation is 800-speed cinema colour negative shot after dark: streetlights that bloom red at the edge, tungsten that stays warm, shadows that go cyan, blacks that stay open and grainy. It is the diner, the petrol station, the parking lot, the hotel sign, the wet road, the window at night. The dialect is late, cinematic in mood but never a grade, warm lights against cool dark. Every pack says which lights, which dark and how much glow, and never confuses the halation look with a split-tone filter.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.