PRE|SETS
linen table. With the Petalpastel preset applied.linen table. Photographed without a preset.
Petalpastel applied to linen table

Blossom Drift + Cut Flowers

Built for green nature and macro; seasons, winter and snow. The subjects inside it are nature, film, interior, sky and night. The light runs film matte, high key, neutral natural and warm natural.

Petalpastel Blossom Drift + Cut Flowers is 36 presets in 2 collections.

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  • Works inLightroom desktop and mobile
  • Format.xmp and .dng
  • DeliveryInstant download, and it stays in your account

What it does to a photograph

tree canopy. With the Petalpastel preset applied.tree canopy. Photographed without a preset.
Petalpastel applied to tree canopy
tree canopy, graded with Petalpastel: 2 of this library's 2 collections
orchard rows. With the Petalpastel preset applied.orchard rows. Photographed without a preset.
Petalpastel applied to orchard rows
orchard rows, graded with Petalpastel: 2 of this library's 2 collections

It does not cover architecture, interiors and property; moods and tonal statements; light and weather; workflow and utility bases. Those collections live in other products on this network, and nothing here stands in for them.

What is inside, territory by territory

Green nature and macro

1 collection, 18 presets

  • Cut Flowers

Seasons, winter and snow

1 collection, 18 presets

  • Blossom Drift

Petalpastel · Green nature and macro

Petalpastel makes one kind of light.

Blossom Drift + Cut Flowers is 36 presets for green nature and macro photography. Every one of them is below, before you pay for any of it.

What this light does

one frame, 4 presets

Blossom Drift and Cut Flowers, a florist's contact sheet

4 of them, on one photograph. Drag to compare before and after.

  1. Linen table. With the Petal Drift preset applied.Linen table. Photographed without a preset.
    Petal Drift applied to Linen table

    No. 01

    Petal Drift

    Petals coming down in still air: contrast eased, blacks lifted, magenta band raised so the pink stays pink.

  2. Linen table. With the White Petal preset applied.Linen table. Photographed without a preset.
    White Petal applied to Linen table

    No. 13

    White Petal

    White flowers kept white: whites pulled back, exposure lifted, magenta band raised only enough to warm the shadow side.

  3. Linen table. With the Ranunculus Turn preset applied.Linen table. Photographed without a preset.
    Ranunculus Turn applied to Linen table

    No. 24

    Ranunculus Turn

    Tight layered petals turning to the light, clarity pulled back and the parametric lights raised so the layers stay separate.

  4. Linen table. With the Table Bloom preset applied.Linen table. Photographed without a preset.
    Table Bloom applied to Linen table

    No. 36

    Table Bloom

    Flowers dressed on a laid table, warmed slightly with tint pulled toward green removal so the linen stays clean.

The Sheet

4 groups

Every preset from both collections on the same four frames: an orchard, a canopy, a laid table, morning light.

  • Blossom Drift, on the treePink canopy, apple branch, magnolia cup, the bud opening. Magenta up, leaves told to wait.
  • Blossom Drift, the lightNoon, shade, a pale sky, the last week of flowers. White petals kept white.
  • Cut Flowers, the bloomPeony, ranunculus, tulip, anemone. The petal surface kept velvet, never papery.
  • Cut Flowers, the vase and the tableGlass, water, stems, the laid table. Greens taken down so the flowers stay the subject.

Explore every preset in this pack

36 presets · 4 scenes

Every preset in the pack is here, on the same four photographs. Nothing below is a sample. Open one and drag.

  1. No. 01Petal DriftPetals coming down in still air: contrast eased, blacks lifted, magenta band raised so the pink stays pink.
    Petal Drift applied to Orchard rows Before: Orchard rows
    Orchard rows
    Petal Drift applied to Tree canopy Before: Tree canopy
    Tree canopy
    Petal Drift applied to Linen table Before: Linen table
    Linen table
    Petal Drift applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Petal Drift. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. No. 02Blossom NoonBlossom at midday, highlights rolled off and whites pulled back so white flowers keep their edge.
    Blossom Noon applied to Orchard rows Before: Orchard rows
    Orchard rows
    Blossom Noon applied to Tree canopy Before: Tree canopy
    Tree canopy
    Blossom Noon applied to Linen table Before: Linen table
    Linen table
    Blossom Noon applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Blossom Noon. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. No. 03Pink CanopyA canopy of pink overhead: magenta saturation and magenta luminance both raised, the blue band quieted behind it.
    Pink Canopy applied to Orchard rows Before: Orchard rows
    Orchard rows
    Pink Canopy applied to Tree canopy Before: Tree canopy
    Tree canopy
    Pink Canopy applied to Linen table Before: Linen table
    Linen table
    Pink Canopy applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Pink Canopy. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. No. 04Orchard BloomA whole orchard in flower, warmed and tinted toward magenta with green saturation pulled down.
    Orchard Bloom applied to Orchard rows Before: Orchard rows
    Orchard rows
    Orchard Bloom applied to Tree canopy Before: Tree canopy
    Tree canopy
    Orchard Bloom applied to Linen table Before: Linen table
    Linen table
    Orchard Bloom applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Orchard Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. No. 05Cherry LightLight coming through thin petals: exposure lifted, clarity negative, red band brought up.
    Cherry Light applied to Orchard rows Before: Orchard rows
    Orchard rows
    Cherry Light applied to Tree canopy Before: Tree canopy
    Tree canopy
    Cherry Light applied to Linen table Before: Linen table
    Linen table
    Cherry Light applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Cherry Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. No. 06Soft BractSoft bracts rendered without hardness, negative clarity with texture kept positive for the stamen.
    Soft Bract applied to Orchard rows Before: Orchard rows
    Orchard rows
    Soft Bract applied to Tree canopy Before: Tree canopy
    Tree canopy
    Soft Bract applied to Linen table Before: Linen table
    Linen table
    Soft Bract applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Soft Bract. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. No. 07Fallen PetalPetals on the ground, shadows opened and the red band lightened so they do not sink into the grass.
    Fallen Petal applied to Orchard rows Before: Orchard rows
    Orchard rows
    Fallen Petal applied to Tree canopy Before: Tree canopy
    Tree canopy
    Fallen Petal applied to Linen table Before: Linen table
    Linen table
    Fallen Petal applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Fallen Petal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. No. 08Bloom WarmthWarm bloom light: warmed, vibrance raised, saturation eased globally so only the flower bands carry colour.
    Bloom Warmth applied to Orchard rows Before: Orchard rows
    Orchard rows
    Bloom Warmth applied to Tree canopy Before: Tree canopy
    Tree canopy
    Bloom Warmth applied to Linen table Before: Linen table
    Linen table
    Bloom Warmth applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Bloom Warmth. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. No. 09Apple BranchBlossom on a bare branch, contrast eased and blue luminance raised so the sky behind goes pale.
    Apple Branch applied to Orchard rows Before: Orchard rows
    Orchard rows
    Apple Branch applied to Tree canopy Before: Tree canopy
    Tree canopy
    Apple Branch applied to Linen table Before: Linen table
    Linen table
    Apple Branch applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Apple Branch. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. No. 10Blush SkyA sky turned pale behind flowers, blue saturation cut and blue luminance lifted.
    Blush Sky applied to Orchard rows Before: Orchard rows
    Orchard rows
    Blush Sky applied to Tree canopy Before: Tree canopy
    Tree canopy
    Blush Sky applied to Linen table Before: Linen table
    Linen table
    Blush Sky applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Blush Sky. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  11. No. 11Late BlossomThe last of the flowers: negative dehaze for softness, blacks lifted, magenta hue swung toward red.
    Late Blossom applied to Orchard rows Before: Orchard rows
    Orchard rows
    Late Blossom applied to Tree canopy Before: Tree canopy
    Tree canopy
    Late Blossom applied to Linen table Before: Linen table
    Linen table
    Late Blossom applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Late Blossom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  12. No. 12Magnolia CupLarge waxy cups held open, highlights rolled off with the highlight grading lifted.
    Magnolia Cup applied to Orchard rows Before: Orchard rows
    Orchard rows
    Magnolia Cup applied to Tree canopy Before: Tree canopy
    Tree canopy
    Magnolia Cup applied to Linen table Before: Linen table
    Linen table
    Magnolia Cup applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Magnolia Cup. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  13. No. 13White PetalWhite flowers kept white: whites pulled back, exposure lifted, magenta band raised only enough to warm the shadow side.
    White Petal applied to Orchard rows Before: Orchard rows
    Orchard rows
    White Petal applied to Tree canopy Before: Tree canopy
    Tree canopy
    White Petal applied to Linen table Before: Linen table
    Linen table
    White Petal applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is White Petal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  14. No. 14Opening BudBuds opening on a warm afternoon, warmed and tinted toward magenta with red saturation up.
    Opening Bud applied to Orchard rows Before: Orchard rows
    Orchard rows
    Opening Bud applied to Tree canopy Before: Tree canopy
    Tree canopy
    Opening Bud applied to Linen table Before: Linen table
    Linen table
    Opening Bud applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Opening Bud. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  15. No. 15Spring OrchardAn orchard row in spring, green saturation cut so the leaves stay behind the flowers.
    Spring Orchard applied to Orchard rows Before: Orchard rows
    Orchard rows
    Spring Orchard applied to Tree canopy Before: Tree canopy
    Tree canopy
    Spring Orchard applied to Linen table Before: Linen table
    Linen table
    Spring Orchard applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Spring Orchard. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  16. No. 16Pale BloomA pale bloom treatment: saturation eased, contrast eased, clarity negative for a soft register.
    Pale Bloom applied to Orchard rows Before: Orchard rows
    Orchard rows
    Pale Bloom applied to Tree canopy Before: Tree canopy
    Tree canopy
    Pale Bloom applied to Linen table Before: Linen table
    Linen table
    Pale Bloom applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Pale Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  17. No. 17Petal EdgeThe edge of a petal against light, texture positive while clarity stays negative.
    Petal Edge applied to Orchard rows Before: Orchard rows
    Orchard rows
    Petal Edge applied to Tree canopy Before: Tree canopy
    Tree canopy
    Petal Edge applied to Linen table Before: Linen table
    Linen table
    Petal Edge applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Petal Edge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  18. No. 18Blossom ShadeFlowers in shade: shadows opened, exposure lifted, magenta luminance raised out of the gloom.
    Blossom Shade applied to Orchard rows Before: Orchard rows
    Orchard rows
    Blossom Shade applied to Tree canopy Before: Tree canopy
    Tree canopy
    Blossom Shade applied to Linen table Before: Linen table
    Linen table
    Blossom Shade applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Blossom Shade. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  19. No. 19Vase TableA vase on a bright table: exposure lifted, contrast eased and blacks lifted so the arrangement sits in soft, even light.
    Vase Table applied to Orchard rows Before: Orchard rows
    Orchard rows
    Vase Table applied to Tree canopy Before: Tree canopy
    Tree canopy
    Vase Table applied to Linen table Before: Linen table
    Linen table
    Vase Table applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Vase Table. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  20. No. 20Petal FoldThe fold of a petal, texture eased and clarity pulled back so the surface stays velvet rather than papery.
    Petal Fold applied to Orchard rows Before: Orchard rows
    Orchard rows
    Petal Fold applied to Tree canopy Before: Tree canopy
    Tree canopy
    Petal Fold applied to Linen table Before: Linen table
    Linen table
    Petal Fold applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Petal Fold. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  21. No. 21Stem WaterStems seen through water, highlights rolled off the glass and greens taken down in saturation so the flowers stay the subject.
    Stem Water applied to Orchard rows Before: Orchard rows
    Orchard rows
    Stem Water applied to Tree canopy Before: Tree canopy
    Tree canopy
    Stem Water applied to Linen table Before: Linen table
    Linen table
    Stem Water applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Stem Water. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  22. No. 22Peony HeadA full peony head, magenta given band saturation and lifted in luminance so the bloom glows against a pale ground.
    Peony Head applied to Orchard rows Before: Orchard rows
    Orchard rows
    Peony Head applied to Tree canopy Before: Tree canopy
    Tree canopy
    Peony Head applied to Linen table Before: Linen table
    Linen table
    Peony Head applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Peony Head. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  23. No. 23Bloom ClusterA cluster of blooms read together, contrast eased and the highlights rolled off so no single flower burns out.
    Bloom Cluster applied to Orchard rows Before: Orchard rows
    Orchard rows
    Bloom Cluster applied to Tree canopy Before: Tree canopy
    Tree canopy
    Bloom Cluster applied to Linen table Before: Linen table
    Linen table
    Bloom Cluster applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Bloom Cluster. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  24. No. 24Ranunculus TurnTight layered petals turning to the light, clarity pulled back and the parametric lights raised so the layers stay separate.
    Ranunculus Turn applied to Orchard rows Before: Orchard rows
    Orchard rows
    Ranunculus Turn applied to Tree canopy Before: Tree canopy
    Tree canopy
    Ranunculus Turn applied to Linen table Before: Linen table
    Linen table
    Ranunculus Turn applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Ranunculus Turn. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  25. No. 25Bud VaseA single stem in a small vase, exposure lifted with the corners brightened so the ground falls away clean.
    Bud Vase applied to Orchard rows Before: Orchard rows
    Orchard rows
    Bud Vase applied to Tree canopy Before: Tree canopy
    Tree canopy
    Bud Vase applied to Linen table Before: Linen table
    Linen table
    Bud Vase applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Bud Vase. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  26. No. 26Cut StemThe cut end and the leaf below it, greens shifted toward yellow and taken down so the foliage stops dominating.
    Cut Stem applied to Orchard rows Before: Orchard rows
    Orchard rows
    Cut Stem applied to Tree canopy Before: Tree canopy
    Tree canopy
    Cut Stem applied to Linen table Before: Linen table
    Linen table
    Cut Stem applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Cut Stem. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  27. No. 27Petal RimThe translucent edge of a petal, highlights rolled off and whites set high so the edge holds light without going blank.
    Petal Rim applied to Orchard rows Before: Orchard rows
    Orchard rows
    Petal Rim applied to Tree canopy Before: Tree canopy
    Tree canopy
    Petal Rim applied to Linen table Before: Linen table
    Linen table
    Petal Rim applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Petal Rim. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  28. No. 28Bouquet LightA bouquet in window light, warmed on white balance and desaturated globally while the flower bands carry the colour.
    Bouquet Light applied to Orchard rows Before: Orchard rows
    Orchard rows
    Bouquet Light applied to Tree canopy Before: Tree canopy
    Tree canopy
    Bouquet Light applied to Linen table Before: Linen table
    Linen table
    Bouquet Light applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Bouquet Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  29. No. 29Tulip BendThe bend of a tulip stem, contrast eased and shadows opened so the curve reads as one continuous line.
    Tulip Bend applied to Orchard rows Before: Orchard rows
    Orchard rows
    Tulip Bend applied to Tree canopy Before: Tree canopy
    Tree canopy
    Tulip Bend applied to Linen table Before: Linen table
    Linen table
    Tulip Bend applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Tulip Bend. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  30. No. 30Anemone DarkA dark-centred anemone, purple given band saturation with the toe lifted so the centre keeps detail.
    Anemone Dark applied to Orchard rows Before: Orchard rows
    Orchard rows
    Anemone Dark applied to Tree canopy Before: Tree canopy
    Tree canopy
    Anemone Dark applied to Linen table Before: Linen table
    Linen table
    Anemone Dark applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Anemone Dark. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  31. No. 31Dropped PetalPetals dropped on the table, texture eased and the surface kept soft so the fall looks light rather than dusty.
    Dropped Petal applied to Orchard rows Before: Orchard rows
    Orchard rows
    Dropped Petal applied to Tree canopy Before: Tree canopy
    Tree canopy
    Dropped Petal applied to Linen table Before: Linen table
    Linen table
    Dropped Petal applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Dropped Petal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  32. No. 32Glass VaseClear glass against a bright wall, highlights rolled off the vase and the corners brightened so the glass reads by its edges.
    Glass Vase applied to Orchard rows Before: Orchard rows
    Orchard rows
    Glass Vase applied to Tree canopy Before: Tree canopy
    Tree canopy
    Glass Vase applied to Linen table Before: Linen table
    Linen table
    Glass Vase applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Glass Vase. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  33. No. 33Sprig GreenThe green in the arrangement, pulled down in luminance and saturation so it supports the blooms instead of competing.
    Sprig Green applied to Orchard rows Before: Orchard rows
    Orchard rows
    Sprig Green applied to Tree canopy Before: Tree canopy
    Tree canopy
    Sprig Green applied to Linen table Before: Linen table
    Linen table
    Sprig Green applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Sprig Green. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  34. No. 34Blossom WideThe whole arrangement wide, exposure lifted and contrast eased for a light, airy table setting.
    Blossom Wide applied to Orchard rows Before: Orchard rows
    Orchard rows
    Blossom Wide applied to Tree canopy Before: Tree canopy
    Tree canopy
    Blossom Wide applied to Linen table Before: Linen table
    Linen table
    Blossom Wide applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Blossom Wide. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  35. No. 35Petal CurlA curling petal at the end of its week, clarity pulled back and blacks lifted so the paper-thin edge stays gentle.
    Petal Curl applied to Orchard rows Before: Orchard rows
    Orchard rows
    Petal Curl applied to Tree canopy Before: Tree canopy
    Tree canopy
    Petal Curl applied to Linen table Before: Linen table
    Linen table
    Petal Curl applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Petal Curl. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  36. No. 36Table BloomFlowers dressed on a laid table, warmed slightly with tint pulled toward green removal so the linen stays clean.
    Table Bloom applied to Orchard rows Before: Orchard rows
    Orchard rows
    Table Bloom applied to Tree canopy Before: Tree canopy
    Tree canopy
    Table Bloom applied to Linen table Before: Linen table
    Linen table
    Table Bloom applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Table Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Blossom Drift is spring on the branch. The magenta band goes up so pink stays pink instead of drifting to salmon; the blue behind it is paled so the sky reads as paper; green is cut so the first leaves stay behind the flowers. Petal Drift eases contrast and lifts the blacks for petals coming down in still air. White Petal keeps white flowers white. Blush Sky is the one for a pale sky. Late Blossom adds a little haze for the last week.

Cut Flowers is the vase. Exposure up, contrast eased, blacks lifted, so the arrangement sits in soft, even light on a bright table. Petal Fold keeps the surface velvet rather than papery. Peony Head lets a bloom glow against a pale ground. Stem Water and Glass Vase roll the highlights off the glass so it reads by its edges. Sprig Green and Cut Stem take the foliage down so it supports the flowers instead of competing.

The sheet is set in four rows: on the tree, the light, the bloom, the vase and the table. Colour named precisely, then let be.

Yours in two minutes

how it works

  1. Step 1

    Buy

    Pay with Apple Pay, Google Pay or a card.

  2. Step 2

    Download

    The zip downloads right away, and a copy lands in your email.

  3. Step 3

    Import

    Add the presets to Lightroom in a minute.

    PhoneClassicDesktop

  4. Step 4

    Tap

    One tap on any photo. Every slider stays yours to adjust.

Yours to keep, for personal and client work. Please do not share the files. The license

Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Questions, answered

Will it turn my greens grey?

Held back, not removed. Every preset drops green saturation or luminance a little so leaves sit behind the petals. Sprig Green does it most; Petal Fold and Petal Rim barely touch it.

Which one for white flowers?

White Petal for blossom, Petal Rim for cut stems. Both pull the whites back so the petal edge holds light without going blank.

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 36 presets from Blossom Drift + Cut Flowers as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.

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Everyday and mobile creators · 15 presets

was $49.99now $29.99Save $20

The rooftop hour, kept the way it felt. With the Roamhue preset applied.The rooftop hour, kept the way it felt. Photographed without a preset.
Roamhue applied to The rooftop hour, kept the way it felt.

Roamhue

Travel and street · 15 presets

was $49.99now $29.99Save $20