motel door. With the Plumbline preset applied. — Plumbline applied to motel door

motel door. Photographed without a preset. — Plumbline applied to motel door

Buildings and Rooms

Name: Buildings and Rooms
Brand: Plumbline
SKU: plumbline-buildings-and-rooms
Price: 149.00 USD
Availability: InStock

Built for architecture, interiors and property. The subjects inside it are interior, urban, night, sky and general. The light runs film matte, mid, crisp clean and neutral natural.

Plumbline Buildings and Rooms is 306 presets in 17 collections.

~~was $399~~now $149

This is the welcome price.

Instant download.

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Works inLightroom desktop and mobile
Format.xmp and .dng
DeliveryInstant download, and it stays in your account

What it does to a photograph

facade grid. With the Plumbline preset applied. — Plumbline applied to facade grid

facade grid. Photographed without a preset. — Plumbline applied to facade grid

It does not cover moods and tonal statements; light and weather; workflow and utility bases; colour harmony and palettes. Those collections live in other products on this network, and nothing here stands in for them.

What is inside, territory by territory

Architecture, interiors and property

17 collections, 306 presets

Book Corner
Brick Course
Bright Room
Ceiling Vault
Concrete Form
Dark Room
Door Panel
Glass Tower
and 9 more

What contains what

This library is itself inside 5 larger libraries.

Places Libraryadds 216 presets on top
People and Placesadds 738 presets on top
Subjects Libraryadds 1,242 presets on top
Every Subjectadds 2,250 presets on top
Whole Libraryadds 3,870 presets on top

Plumbline · Architecture, interiors and property

Plumbline makes one kind of light.

306 presets across 4 kinds of light is 306 presets for architecture, interiors and property photography. Every one of them is below, before you pay for any of it.

What this light does

one frame, 4 presets

Buildings and Rooms, a drawing archive

4 of them, on one photograph. Drag to compare before and after.

Shutter Gap applied to Motel door
No. 93
Shutter Gap
A hard slat of daylight through half-closed shutters, highest contrast in the set, for graphic light-and-dark frames.
Slipcase Lid applied to Motel door
No. 17
Slipcase Lid
Board and case surfaces, blue cut so a cold lamp does not sit in the paper.
Ridge Tile applied to Motel door
No. 235
Ridge Tile
For a roof, eaves or ridge cut against an open sky, the dark-material-under-bright-sky edge: highlights rolled off deep and blue luminance pulled down so the sky stops eating the outline, shadows opened so slate and lead keep material rather than going flat, texture up to keep the edge itself.
Long Table applied to Motel door
No. 47
Long Table
Warm neutral dining and meeting rooms, terracotta and brick eased back toward sand.

Explore every preset in this pack

4 presets · 4 scenes

4 of the 306 presets in this library, on the same four photographs. Nothing below is a sample. Open one and drag.

No. 93Shutter GapA hard slat of daylight through half-closed shutters, highest contrast in the set, for graphic light-and-dark frames.

Bridge cables

Motel door

Petrol station

Facade grid

Drag the handle. Left is the original, right is Shutter Gap. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 17Slipcase LidBoard and case surfaces, blue cut so a cold lamp does not sit in the paper.

Bridge cables

Motel door

Petrol station

Facade grid

Drag the handle. Left is the original, right is Slipcase Lid. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 235Ridge TileFor a roof, eaves or ridge cut against an open sky, the dark-material-under-bright-sky edge: highlights rolled off deep and blue luminance pulled down so the sky stops eating the outline, shadows opened so slate and lead keep material rather than going flat, texture up to keep the edge itself.

Bridge cables

Motel door

Petrol station

Facade grid

Drag the handle. Left is the original, right is Ridge Tile. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 47Long TableWarm neutral dining and meeting rooms, terracotta and brick eased back toward sand.

Bridge cables

Motel door

Petrol station

Facade grid

Drag the handle. Left is the original, right is Long Table. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Drawer one, listing and property. Listing Bright pulls the windows back and lifts the room to meet them, walls neutral. Bright Room takes an interior to pale high key, walls near paper. Glass Tower keeps the greys neutral and drops blue luminance so the sky reads behind the glass.

Drawer two, heritage and home. Old Stone keeps masonry warm, shadow detail opened, mortar honest rather than bleached. Book Corner holds a lamp pool near flat so paper stays paper. Museum Gallery cools and darkens the room so the work stays the subject and the vitrine stops reflecting.

Drawer three, dark and industrial. Dark Room is single-window chiaroscuro, cool shadow grade, deep ground. Industrial Warehouse pulls the fluorescent green out of its band and firms the slab. Concrete Form is the brutalist grade: heavy texture, cool neutral grey, mass firm enough to read.

Drawer four is details, one look each: brick course with the mortar tone held, a vault looked straight up with the falloff removed, joinery and door hardware, ironwork against a bright sky, a roof line cut against the light, a stair well kept as a gradient, a tiled plane even edge to edge, a window shot from outside with the glass held. Below, a few presets from each drawer on the same frames.

Yours in two minutes

how it works

Step 1
Buy
Pay with Apple Pay, Google Pay or a card.
Step 2
Download
The zip downloads right away, and a copy lands in your email.
Step 3
Import
Add the presets to Lightroom in a minute.
Phone Classic Desktop
Step 4
Tap
One tap on any photo. Every slider stays yours to adjust.

Yours to keep, for personal and client work. Please do not share the files. The license

Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Questions, answered

Does it straighten verticals?

No. A preset cannot move geometry; correct the verticals in the Geometry panel first. These hold the tone once the lines are plumb.

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 306 presets from Buildings and Rooms as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.