Porcelainskin

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The presets

• No. 01Silk Tonethe face lifted into a bright, even page, skin glowing a shade lighter than it was shot while the set behind it falls to clean white see it

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  Drag the handle. Left is the original, right is Silk Tone. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 02Precise Huethe bright patch a beauty dish leaves on the cheekbone is brought back into the skin, so no part of the face reads as a hot spot see it

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  Drag the handle. Left is the original, right is Precise Hue. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 03Studio Beautythe everyday starting point for a beauty file: skin smooth and a little firmer in tone, never plastic see it

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  Drag the handle. Left is the original, right is Studio Beauty. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 04Refined Skinthe shadow side of the face opened right up to match a clamshell setup, both cheeks reading at the same brightness see it

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  Drag the handle. Left is the original, right is Refined Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 05Polished Skinthe deepest tones stay where they were shot, so the smoothing never tips over into a flat, printed look see it

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  Drag the handle. Left is the original, right is Polished Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 06Even Complexionthe set brightened until white paper reads as white rather than cream, and the skin follows it up see it

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  Drag the handle. Left is the original, right is Even Complexion. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 07Fine Skinthe strongest smoothing and lift in the collection, made for an editorial cover where the skin fills the page see it

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  Drag the handle. Left is the original, right is Fine Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 08Clean Whitesmoothing and brightness together for a full-page close crop, skin pale and continuous from brow to chin see it

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  Drag the handle. Left is the original, right is Clean White. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 09Clear Complexiontone flattened slightly so a cover frame can carry type across the face without the letters fighting the skin see it

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  Drag the handle. Left is the original, right is Clear Complexion. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 10Soft Editorialred is drawn out of the skin so the lips are the only red left in the frame see it

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  Drag the handle. Left is the original, right is Soft Editorial. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 11Glossy Pagethe gentlest touch in the collection, meant for a file that has already been retouched and needs only a page finish see it

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  Drag the handle. Left is the original, right is Glossy Page. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 12Smooth Facepores and fine detail eased back for a smooth editorial tone, the face reading as one soft surface see it

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  Drag the handle. Left is the original, right is Smooth Face. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 13Bright Beautylashes and brows stay crisp inside a face that has been softened around them see it

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  Drag the handle. Left is the original, right is Bright Beauty. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 14Editorial Skinthe mouth lifted alongside the skin, so the lips never sit darker than the cheek beside them see it

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  Drag the handle. Left is the original, right is Editorial Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 15Smooth Tonemakeup colour comes forward while the skin itself stays quiet, for a frame where the product is the point see it

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  Drag the handle. Left is the original, right is Smooth Tone. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 16Magazine Lighta heavy clean-up for a file that arrived hard and punchy and has to look effortless on the page see it

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  Drag the handle. Left is the original, right is Magazine Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 17Cover Faceskin colour nudged toward a chosen shade, for a shoot that has to match a cosmetic's own colour swatch see it

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  Drag the handle. Left is the original, right is Cover Face. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 18Clean Gradientthe shadow side of a close crop smoothed of grain, so the fall-off across the cheek reads as one clean gradient see it

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  Drag the handle. Left is the original, right is Clean Gradient. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Buying happens on the brand's own store: porcelainskin.forestech.io.