PRE|SETS
mirror fit. With the Porcelainskin preset applied.mirror fit. Photographed without a preset.
Porcelainskin applied to mirror fit

Beauty Clean

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was $49.99now $29.99Save $20

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  • Presets18
  • Stylebeauty, skin, high key
  • Works inLightroom desktop and mobile
  • Format.xmp and .dng

Porcelainskin · Portrait skin and studio lighting

Porcelainskin makes one kind of light.

Beauty Clean is 18 presets for portrait skin and studio lighting photography. Every one of them is below, before you pay for any of it.

What this light does

one frame, 4 presets

Beauty Clean, a contact sheet for the retouching bench

4 of them, on one photograph. Drag to compare before and after.

  1. Mirror fit. With the Silk Tone preset applied.Mirror fit. Photographed without a preset.
    Silk Tone applied to Mirror fit

    No. 01

    Silk Tone

    The face lifted into a bright, even page, skin glowing a shade lighter than it was shot while the set behind it falls to clean white.

  2. Mirror fit. With the Fine Skin preset applied.Mirror fit. Photographed without a preset.
    Fine Skin applied to Mirror fit

    No. 07

    Fine Skin

    The strongest smoothing and lift in the collection, made for an editorial cover where the skin fills the page.

  3. Mirror fit. With the Smooth Face preset applied.Mirror fit. Photographed without a preset.
    Smooth Face applied to Mirror fit

    No. 12

    Smooth Face

    Pores and fine detail eased back for a smooth editorial tone, the face reading as one soft surface.

  4. Mirror fit. With the Clean Gradient preset applied.Mirror fit. Photographed without a preset.
    Clean Gradient applied to Mirror fit

    No. 18

    Clean Gradient

    The shadow side of a close crop smoothed of grain, so the fall-off across the cheek reads as one clean gradient.

See the light change

drag the line

The same frame, one tap apart. Drag any handle and the scene goes back to the way it looked before Porcelainskin touched it.

Man portrait. With the Porcelainskin preset applied.Man portrait. Photographed without a preset.
Porcelainskin applied to Man portrait
Man portrait
Portrait window. With the Porcelainskin preset applied.Portrait window. Photographed without a preset.
Porcelainskin applied to Portrait window
Portrait window

The Sheet

3 groups

Every base on the same four faces, so you can see what each one does to skin before you commit a sitting to it.

  • BaseThe starting points. Everyday, gentle, or the heavy clean-up for a file that arrived hard.
  • LiftSkin taken up toward white paper, from a clamshell match to a full-page close crop.
  • Detail and colourLashes kept crisp, red drawn out of the skin, tone nudged to a cosmetic's swatch.

Explore every preset in this pack

18 presets · 4 scenes

Every preset in the pack is here, on the same four photographs. Nothing below is a sample. Open one and drag.

  1. No. 01Silk ToneThe face lifted into a bright, even page, skin glowing a shade lighter than it was shot while the set behind it falls to clean white.
    Silk Tone applied to Portrait window Before: Portrait window
    Portrait window
    Silk Tone applied to Man portrait Before: Man portrait
    Man portrait
    Silk Tone applied to Mirror fit Before: Mirror fit
    Mirror fit
    Silk Tone applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Silk Tone. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. No. 02Precise HueThe bright patch a beauty dish leaves on the cheekbone is brought back into the skin, so no part of the face reads as a hot spot.
    Precise Hue applied to Portrait window Before: Portrait window
    Portrait window
    Precise Hue applied to Man portrait Before: Man portrait
    Man portrait
    Precise Hue applied to Mirror fit Before: Mirror fit
    Mirror fit
    Precise Hue applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Precise Hue. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. No. 03Studio BeautyThe everyday starting point for a beauty file: skin smooth and a little firmer in tone, never plastic.
    Studio Beauty applied to Portrait window Before: Portrait window
    Portrait window
    Studio Beauty applied to Man portrait Before: Man portrait
    Man portrait
    Studio Beauty applied to Mirror fit Before: Mirror fit
    Mirror fit
    Studio Beauty applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Studio Beauty. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. No. 04Refined SkinThe shadow side of the face opened right up to match a clamshell setup, both cheeks reading at the same brightness.
    Refined Skin applied to Portrait window Before: Portrait window
    Portrait window
    Refined Skin applied to Man portrait Before: Man portrait
    Man portrait
    Refined Skin applied to Mirror fit Before: Mirror fit
    Mirror fit
    Refined Skin applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Refined Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. No. 05Polished SkinThe deepest tones stay where they were shot, so the smoothing never tips over into a flat, printed look.
    Polished Skin applied to Portrait window Before: Portrait window
    Portrait window
    Polished Skin applied to Man portrait Before: Man portrait
    Man portrait
    Polished Skin applied to Mirror fit Before: Mirror fit
    Mirror fit
    Polished Skin applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Polished Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. No. 06Even ComplexionThe set brightened until white paper reads as white rather than cream, and the skin follows it up.
    Even Complexion applied to Portrait window Before: Portrait window
    Portrait window
    Even Complexion applied to Man portrait Before: Man portrait
    Man portrait
    Even Complexion applied to Mirror fit Before: Mirror fit
    Mirror fit
    Even Complexion applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Even Complexion. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. No. 07Fine SkinThe strongest smoothing and lift in the collection, made for an editorial cover where the skin fills the page.
    Fine Skin applied to Portrait window Before: Portrait window
    Portrait window
    Fine Skin applied to Man portrait Before: Man portrait
    Man portrait
    Fine Skin applied to Mirror fit Before: Mirror fit
    Mirror fit
    Fine Skin applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Fine Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. No. 08Clean WhiteSmoothing and brightness together for a full-page close crop, skin pale and continuous from brow to chin.
    Clean White applied to Portrait window Before: Portrait window
    Portrait window
    Clean White applied to Man portrait Before: Man portrait
    Man portrait
    Clean White applied to Mirror fit Before: Mirror fit
    Mirror fit
    Clean White applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Clean White. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. No. 09Clear ComplexionTone flattened slightly so a cover frame can carry type across the face without the letters fighting the skin.
    Clear Complexion applied to Portrait window Before: Portrait window
    Portrait window
    Clear Complexion applied to Man portrait Before: Man portrait
    Man portrait
    Clear Complexion applied to Mirror fit Before: Mirror fit
    Mirror fit
    Clear Complexion applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Clear Complexion. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. No. 10Soft EditorialRed is drawn out of the skin so the lips are the only red left in the frame.
    Soft Editorial applied to Portrait window Before: Portrait window
    Portrait window
    Soft Editorial applied to Man portrait Before: Man portrait
    Man portrait
    Soft Editorial applied to Mirror fit Before: Mirror fit
    Mirror fit
    Soft Editorial applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Soft Editorial. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  11. No. 11Glossy PageThe gentlest touch in the collection, meant for a file that has already been retouched and needs only a page finish.
    Glossy Page applied to Portrait window Before: Portrait window
    Portrait window
    Glossy Page applied to Man portrait Before: Man portrait
    Man portrait
    Glossy Page applied to Mirror fit Before: Mirror fit
    Mirror fit
    Glossy Page applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Glossy Page. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  12. No. 12Smooth FacePores and fine detail eased back for a smooth editorial tone, the face reading as one soft surface.
    Smooth Face applied to Portrait window Before: Portrait window
    Portrait window
    Smooth Face applied to Man portrait Before: Man portrait
    Man portrait
    Smooth Face applied to Mirror fit Before: Mirror fit
    Mirror fit
    Smooth Face applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Smooth Face. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  13. No. 13Bright BeautyLashes and brows stay crisp inside a face that has been softened around them.
    Bright Beauty applied to Portrait window Before: Portrait window
    Portrait window
    Bright Beauty applied to Man portrait Before: Man portrait
    Man portrait
    Bright Beauty applied to Mirror fit Before: Mirror fit
    Mirror fit
    Bright Beauty applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Bright Beauty. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  14. No. 14Editorial SkinThe mouth lifted alongside the skin, so the lips never sit darker than the cheek beside them.
    Editorial Skin applied to Portrait window Before: Portrait window
    Portrait window
    Editorial Skin applied to Man portrait Before: Man portrait
    Man portrait
    Editorial Skin applied to Mirror fit Before: Mirror fit
    Mirror fit
    Editorial Skin applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Editorial Skin. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  15. No. 15Smooth ToneMakeup colour comes forward while the skin itself stays quiet, for a frame where the product is the point.
    Smooth Tone applied to Portrait window Before: Portrait window
    Portrait window
    Smooth Tone applied to Man portrait Before: Man portrait
    Man portrait
    Smooth Tone applied to Mirror fit Before: Mirror fit
    Mirror fit
    Smooth Tone applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Smooth Tone. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  16. No. 16Magazine LightA heavy clean-up for a file that arrived hard and punchy and has to look effortless on the page.
    Magazine Light applied to Portrait window Before: Portrait window
    Portrait window
    Magazine Light applied to Man portrait Before: Man portrait
    Man portrait
    Magazine Light applied to Mirror fit Before: Mirror fit
    Mirror fit
    Magazine Light applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Magazine Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  17. No. 17Cover FaceSkin colour nudged toward a chosen shade, for a shoot that has to match a cosmetic's own colour swatch.
    Cover Face applied to Portrait window Before: Portrait window
    Portrait window
    Cover Face applied to Man portrait Before: Man portrait
    Man portrait
    Cover Face applied to Mirror fit Before: Mirror fit
    Mirror fit
    Cover Face applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Cover Face. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  18. No. 18Clean GradientThe shadow side of a close crop smoothed of grain, so the fall-off across the cheek reads as one clean gradient.
    Clean Gradient applied to Portrait window Before: Portrait window
    Portrait window
    Clean Gradient applied to Man portrait Before: Man portrait
    Man portrait
    Clean Gradient applied to Mirror fit Before: Mirror fit
    Mirror fit
    Clean Gradient applied to Curtain light Before: Curtain light
    Curtain light

    Drag the handle. Left is the original, right is Clean Gradient. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Every preset here is a base, not a finish. It sets the skin bright and even, eases fine texture, and leaves the file ready for the frequency work that follows. Nothing is pushed so far that it cannot be taken back.

The sheet runs in three rows. Base holds the starting points: the everyday beauty file, the gentle pass for work already retouched, the heavy clean-up for a file that arrived hard and punchy. Lift takes the skin up toward white paper, from a clamshell match to a full-page close crop. Detail and colour keep lashes and brows crisp, draw the red out of the skin so the lips own it, and nudge tone to a cosmetic's own swatch.

Pick the row that matches the brief, apply, then work. The sliders stay open.

Yours in two minutes

how it works

  1. Step 1

    Buy

    Pay with Apple Pay, Google Pay or a card.

  2. Step 2

    Download

    The zip downloads right away, and a copy lands in your email.

  3. Step 3

    Import

    Add the presets to Lightroom in a minute.

    PhoneClassicDesktop

  4. Step 4

    Tap

    One tap on any photo. Every slider stays yours to adjust.

Yours to keep, for personal and client work. Please do not share the files. The license

Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Questions, answered

Is this a retouching preset?

No. It is the base a retoucher starts from: skin evened, tone lifted, texture eased. Frequency separation, dodge and burn and cleanup still happen after it, in whatever tool you use.

Will it smooth skin into plastic?

The set is built to stop short of that. Polished Skin keeps the deepest tones where they were shot for exactly this reason; Bright Beauty keeps lashes and brows crisp inside a softened face.

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 18 presets from Beauty Clean as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.

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Facestudy applied to A face, fully read

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