Dark Plate. Slate, stone, black ceramic. The background drops below the food, the food stays warm, and the black end holds detail rather than blocking up, so a charred edge is still a crust and a dark bowl still has contents. Red Wine lifts sauces and anything deep red so they read rich instead of brown. Copper Pot lets warm metal glow. Smoked Salt keeps grain visible on dry goods so the frame looks shot, not rendered. Late Supper is the gentlest, with room over the background for a menu's type.
Cocktail Bar Night. Back bar, brass rail, coupe under a downlight. Exposure comes down, blacks go deep, the lamps roll off so the glow keeps its shape. Ice stays cold through a blue shadow; citrus peel keeps its colour while the room around it goes quiet; coloured glass on the spirit shelf separates against the dark. Last Call adds grain for the hour the room empties.
The register has four columns: the plate, the kitchen, the glass, the room. Every preset is served on the same four frames.























