Whitepoint

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The presets

• No. 01White Driftsnow and ice, the mildest here: exposure lifted toward a true white with the blue cast only lightly warmed see it

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  Drag the handle. Left is the original, right is White Drift. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 02Frost Fieldfrost-first, texture raised so crystal detail survives while saturation is pulled back see it

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  Drag the handle. Left is the original, right is Frost Field. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 03Cold Powderfor shaded powder, blue luminance lifted hard so cold shadows stop reading navy see it

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  Drag the handle. Left is the original, right is Cold Powder. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 04Snow Neutralthe neutral reference of the set, temperature and split-toned shadows just enough to cancel the cast, nothing more see it

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  Drag the handle. Left is the original, right is Snow Neutral. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 05Ice Plainflat ice plains, contrast and curve rebuilt from the middle out with whites held under clip see it

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  Drag the handle. Left is the original, right is Ice Plain. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 06Clean Snowthe cleanest white here, blue and aqua saturation both cut to the far end see it

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  Drag the handle. Left is the original, right is Clean Snow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 07Pale Driftpale drifts in weak winter sun, small exposure lift and a soft shoulder to protect bright snow see it

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  Drag the handle. Left is the original, right is Pale Drift. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 08Winter Flatlow-contrast whiteout, the curve doing the separation because the scene has none see it

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  Drag the handle. Left is the original, right is Winter Flat. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 09Frozen Trackfor tracks and ruts in snow, texture and clarity lead so surface direction shows see it

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  Drag the handle. Left is the original, right is Frozen Track. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 10Snow Glarethe strong highlight recovery here, for snow shot into the sun with whites near clipping see it

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  Drag the handle. Left is the original, right is Snow Glare. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 11Bright Freezebright freeze with warm shadow toning at the top of the range, against deep blue shade see it

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  Drag the handle. Left is the original, right is Bright Freeze. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 12Ski Noonmidday slope light, balanced everywhere and a wide shadow lift in the set see it

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  Drag the handle. Left is the original, right is Ski Noon. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 13Fresh Powderfresh powder, gentle clarity so the surface stays soft while staying white see it

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  Drag the handle. Left is the original, right is Fresh Powder. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 14Ice Shadeshaded ice, split-toning balance pushed toward the shadows so the warmth lands where the cast is see it

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  Drag the handle. Left is the original, right is Ice Shade. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 15Snow Holdholds an exposed snowfield just under clip, whites at the low end with a firm shoulder see it

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  Drag the handle. Left is the original, right is Snow Hold. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 16Crisp Whitecrisp and cold, minimal warming with blue saturation cut instead, for people who dislike warm snow see it

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  Drag the handle. Left is the original, right is Crisp White. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 17North Snowhigh-latitude light, the largest temperature move here to counter a strongly blue midday sky see it

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  Drag the handle. Left is the original, right is North Snow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 18Thaw Lightwet thawing snow, highlights restrained and saturation dropped so slush stays grey not blue see it

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  Drag the handle. Left is the original, right is Thaw Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Buying happens on the brand's own store: whitepoint.forestech.io.