Every preset here casts the same two characters. The highlights get a warm tone, the shadows get a cool one, and the curve between them is set steep enough that the two never blur into a wash. Divided Tone is the reference: the deepest blacks of the set and warmth held hard against the cool.
The light table is set out in three panels. The Divide presets do the tonal work first, blacks set deep and whites raised so the halves separate on brightness before any colour arrives. The Hues presets carry the colour itself: cobalt under amber, green suppressed so nothing competes, faces kept in the warm half without joining the scheme.
The Crossover panel is for control. Halved Tone and Gold Ceiling leave the balance free, so the line between warm and cool moves up or down the scale to suit the frame. Cut Tone leaves clarity and texture alone. Ice Floor and Divided Frame each push one end further.
Apply one, then decide where the divide sits. Every slider underneath stays yours.























