warm color · 15 presets
Siennatones
Ember Set is 15 presets. Every one of them below, each on the same four photographs. Drag any handle.
Get Ember Set for $49.99 (list $79.99)
The presets
No. 01Honey Veilsoft honeyed golden hour, low contrast glow for backlit portraits
![Honey Veil applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Honey Veil applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Honey Veil applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Honey Veil applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Honey Veil. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 02Gilded Hourclassic balanced golden hour with polished midtone warmth
![Gilded Hour applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Gilded Hour applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Gilded Hour applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Gilded Hour applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Gilded Hour. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 03Blaze Lineblazing directional late sun, hard shadows and punchy rim light
![Blaze Line applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Blaze Line applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Blaze Line applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Blaze Line applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Blaze Line. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 04Last Amberfading late-sun amber with airy highlights and gentle rolloff
![Last Amber applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Last Amber applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Last Amber applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Last Amber applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Last Amber. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 05Terracotta Wallterracotta story, deep red-orange surfaces with muted backdrops
![Terracotta Wall applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Terracotta Wall applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Terracotta Wall applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Terracotta Wall applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Terracotta Wall. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 06Umber Fielddark umber earth look, moody browns with sunk luminance
![Umber Field applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Umber Field applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Umber Field applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Umber Field applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Umber Field. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 07Sand Scriptpale sand and bone tones, bright airy neutrals with a dry warmth
![Sand Script applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Sand Script applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Sand Script applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Sand Script applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Sand Script. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 08Lamp Hollowtungsten lamplight interior, cozy pools of light with clean shadows
![Lamp Hollow applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Lamp Hollow applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Lamp Hollow applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Lamp Hollow applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Lamp Hollow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 09Cafe Sillwindow-seat cafe warmth, soft daylight mixed with interior amber
![Cafe Sill applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Cafe Sill applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Cafe Sill applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Cafe Sill applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Cafe Sill. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 10Ember Reelmatte amber film, lifted blacks and organic grain for nostalgia
![Ember Reel applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Ember Reel applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Ember Reel applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Ember Reel applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Ember Reel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 11Faded Embersun-faded nostalgic amber, washed highlights and heavier grain
![Faded Ember applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Faded Ember applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Faded Ember applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Faded Ember applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Faded Ember. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 12Kiln Firebold high-contrast warm pop for editorial punch
![Kiln Fire applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Kiln Fire applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Kiln Fire applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Kiln Fire applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Kiln Fire. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 13Soft Scorchsaturated warm pop with a soft hand, product-friendly glow
![Soft Scorch applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Soft Scorch applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Soft Scorch applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Soft Scorch applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Soft Scorch. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 14Charred Silvercontrasty warm monochrome, modern sepia-adjacent tone for portraits
![Charred Silver applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Charred Silver applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Charred Silver applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Charred Silver applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Charred Silver. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 15Ash Bloomsoft matte warm monochrome, lifted blacks and gentle sepia air
![Ash Bloom applied to Clay and sun, the whole story]()
![Before: Clay and sun, the whole story]()
Clay and sun, the whole story ![Ash Bloom applied to Late sun over the field, kept golden]()
![Before: Late sun over the field, kept golden]()
Late sun over the field, kept golden ![Ash Bloom applied to Lamplight the way the room felt]()
![Before: Lamplight the way the room felt]()
Lamplight the way the room felt ![Ash Bloom applied to Orchard light, warm to the last row]()
![Before: Orchard light, warm to the last row]()
Orchard light, warm to the last row Drag the handle. Left is the original, right is Ash Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
Buying happens on the brand's own store: siennatones.forestech.io.