PRE|SETS
Late sun over the field, kept golden. With the Siennatones preset applied.Late sun over the field, kept golden. Photographed without a preset.
Siennatones applied to Late sun over the field, kept golden

Ember Set

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  • Presets15
  • Works inLightroom desktop and mobile
  • Format.xmp and .dng

Siennatones · Colour harmony and palettes

Siennatones makes one kind of light.

Ember Set is 15 presets for colour harmony and palettes photography. Every one of them is below, before you pay for any of it.

What this light does

one frame, 4 presets

Late sun over the field, kept golden

4 of them, on one photograph. Drag to compare before and after.

  1. Late sun over the field, kept golden. With the Honey Veil preset applied.Late sun over the field, kept golden. Photographed without a preset.
    Honey Veil applied to Late sun over the field, kept golden

    No. 01

    Honey Veil

    Soft honeyed golden hour, low contrast glow for backlit portraits.

  2. Late sun over the field, kept golden. With the Umber Field preset applied.Late sun over the field, kept golden. Photographed without a preset.
    Umber Field applied to Late sun over the field, kept golden

    No. 06

    Umber Field

    Dark umber earth look, moody browns with sunk luminance.

  3. Late sun over the field, kept golden. With the Ember Reel preset applied.Late sun over the field, kept golden. Photographed without a preset.
    Ember Reel applied to Late sun over the field, kept golden

    No. 10

    Ember Reel

    Matte amber film, lifted blacks and organic grain for nostalgia.

  4. Late sun over the field, kept golden. With the Ash Bloom preset applied.Late sun over the field, kept golden. Photographed without a preset.
    Ash Bloom applied to Late sun over the field, kept golden

    No. 15

    Ash Bloom

    Soft matte warm monochrome, lifted blacks and gentle sepia air.

See the light change

drag the line

The same frame, one tap apart. Drag any handle and the scene goes back to the way it looked before Siennatones touched it.

Lamplight the way the room felt. With the Siennatones preset applied.Lamplight the way the room felt. Photographed without a preset.
Siennatones applied to Lamplight the way the room felt
Lamplight the way the room felt
Orchard light, warm to the last row. With the Siennatones preset applied.Orchard light, warm to the last row. Photographed without a preset.
Siennatones applied to Orchard light, warm to the last row
Orchard light, warm to the last row
Clay and sun, the whole story. With the Siennatones preset applied.Clay and sun, the whole story. Photographed without a preset.
Siennatones applied to Clay and sun, the whole story
Clay and sun, the whole story

Explore every preset in this pack

15 presets · 4 scenes

Every preset in the pack is here, on the same four photographs. Nothing below is a sample. Open one and drag.

  1. No. 01Honey VeilSoft honeyed golden hour, low contrast glow for backlit portraits.
    Honey Veil applied to Clay pots Before: Clay pots
    Clay pots
    Honey Veil applied to Horse field Before: Horse field
    Horse field
    Honey Veil applied to Linen table Before: Linen table
    Linen table
    Honey Veil applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Honey Veil. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. No. 02Gilded HourClassic balanced golden hour with polished midtone warmth.
    Gilded Hour applied to Clay pots Before: Clay pots
    Clay pots
    Gilded Hour applied to Horse field Before: Horse field
    Horse field
    Gilded Hour applied to Linen table Before: Linen table
    Linen table
    Gilded Hour applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Gilded Hour. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. No. 03Blaze LineBlazing directional late sun, hard shadows and punchy rim light.
    Blaze Line applied to Clay pots Before: Clay pots
    Clay pots
    Blaze Line applied to Horse field Before: Horse field
    Horse field
    Blaze Line applied to Linen table Before: Linen table
    Linen table
    Blaze Line applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Blaze Line. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. No. 04Last AmberFading late-sun amber with airy highlights and gentle rolloff.
    Last Amber applied to Clay pots Before: Clay pots
    Clay pots
    Last Amber applied to Horse field Before: Horse field
    Horse field
    Last Amber applied to Linen table Before: Linen table
    Linen table
    Last Amber applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Last Amber. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. No. 05Terracotta WallTerracotta story, deep red-orange surfaces with muted backdrops.
    Terracotta Wall applied to Clay pots Before: Clay pots
    Clay pots
    Terracotta Wall applied to Horse field Before: Horse field
    Horse field
    Terracotta Wall applied to Linen table Before: Linen table
    Linen table
    Terracotta Wall applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Terracotta Wall. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. No. 06Umber FieldDark umber earth look, moody browns with sunk luminance.
    Umber Field applied to Clay pots Before: Clay pots
    Clay pots
    Umber Field applied to Horse field Before: Horse field
    Horse field
    Umber Field applied to Linen table Before: Linen table
    Linen table
    Umber Field applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Umber Field. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. No. 07Sand ScriptPale sand and bone tones, bright airy neutrals with a dry warmth.
    Sand Script applied to Clay pots Before: Clay pots
    Clay pots
    Sand Script applied to Horse field Before: Horse field
    Horse field
    Sand Script applied to Linen table Before: Linen table
    Linen table
    Sand Script applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Sand Script. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. No. 08Lamp HollowTungsten lamplight interior, cozy pools of light with clean shadows.
    Lamp Hollow applied to Clay pots Before: Clay pots
    Clay pots
    Lamp Hollow applied to Horse field Before: Horse field
    Horse field
    Lamp Hollow applied to Linen table Before: Linen table
    Linen table
    Lamp Hollow applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Lamp Hollow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. No. 09Cafe SillWindow-seat cafe warmth, soft daylight mixed with interior amber.
    Cafe Sill applied to Clay pots Before: Clay pots
    Clay pots
    Cafe Sill applied to Horse field Before: Horse field
    Horse field
    Cafe Sill applied to Linen table Before: Linen table
    Linen table
    Cafe Sill applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Cafe Sill. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. No. 10Ember ReelMatte amber film, lifted blacks and organic grain for nostalgia.
    Ember Reel applied to Clay pots Before: Clay pots
    Clay pots
    Ember Reel applied to Horse field Before: Horse field
    Horse field
    Ember Reel applied to Linen table Before: Linen table
    Linen table
    Ember Reel applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Ember Reel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  11. No. 11Faded EmberSun-faded nostalgic amber, washed highlights and heavier grain.
    Faded Ember applied to Clay pots Before: Clay pots
    Clay pots
    Faded Ember applied to Horse field Before: Horse field
    Horse field
    Faded Ember applied to Linen table Before: Linen table
    Linen table
    Faded Ember applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Faded Ember. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  12. No. 12Kiln FireBold high-contrast warm pop for editorial punch.
    Kiln Fire applied to Clay pots Before: Clay pots
    Clay pots
    Kiln Fire applied to Horse field Before: Horse field
    Horse field
    Kiln Fire applied to Linen table Before: Linen table
    Linen table
    Kiln Fire applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Kiln Fire. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  13. No. 13Soft ScorchSaturated warm pop with a soft hand, product-friendly glow.
    Soft Scorch applied to Clay pots Before: Clay pots
    Clay pots
    Soft Scorch applied to Horse field Before: Horse field
    Horse field
    Soft Scorch applied to Linen table Before: Linen table
    Linen table
    Soft Scorch applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Soft Scorch. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  14. No. 14Charred SilverContrasty warm monochrome, modern sepia-adjacent tone for portraits.
    Charred Silver applied to Clay pots Before: Clay pots
    Clay pots
    Charred Silver applied to Horse field Before: Horse field
    Horse field
    Charred Silver applied to Linen table Before: Linen table
    Linen table
    Charred Silver applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Charred Silver. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  15. No. 15Ash BloomSoft matte warm monochrome, lifted blacks and gentle sepia air.
    Ash Bloom applied to Clay pots Before: Clay pots
    Clay pots
    Ash Bloom applied to Horse field Before: Horse field
    Horse field
    Ash Bloom applied to Linen table Before: Linen table
    Linen table
    Ash Bloom applied to Orchard rows Before: Orchard rows
    Orchard rows

    Drag the handle. Left is the original, right is Ash Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Yours in two minutes

how it works

  1. Step 1

    Buy

    Pay with Apple Pay, Google Pay or a card.

  2. Step 2

    Download

    The zip downloads right away, and a copy lands in your email.

  3. Step 3

    Import

    Add the presets to Lightroom in a minute.

    PhoneClassicDesktop

  4. Step 4

    Tap

    One tap on any photo. Every slider stays yours to adjust.

Yours to keep, for personal and client work. Please do not share the files. The license

Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Questions, answered

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 15 presets from Ember Set as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.

What else is like this

All colour harmony and palettes
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Amberteal applied to The rooftop hour, kept the way it felt.

Amberteal

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A bench and your people, suddenly a keeper. With the Pigmentset preset applied.A bench and your people, suddenly a keeper. Photographed without a preset.
Pigmentset applied to A bench and your people, suddenly a keeper

Pigmentset

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The rooftop hour, kept the way it felt. With the Chromawheel preset applied.The rooftop hour, kept the way it felt. Photographed without a preset.
Chromawheel applied to The rooftop hour, kept the way it felt.

Chromawheel

Colour harmony and palettes · 252 presets

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Cafe window, one tap later. With the Reeltint preset applied.Cafe window, one tap later. Photographed without a preset.
Reeltint applied to Cafe window, one tap later

Reeltint

Everyday and mobile creators · 15 presets

was $49.99now $29.99Save $20