Crossbath

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The presets

• No. 01Cyan Floorcross-process with cyan-blue blacks and warm highlights, for editorial portrait and street work see it

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  Drag the handle. Left is the original, right is Cyan Floor. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 02Slate Cyanlow-saturation cyan cast with a hard blue lift, for architecture and cold urban frames see it

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  Drag the handle. Left is the original, right is Slate Cyan. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 03Ice Highlightblue-white highlights over a red-starved top end, a chilled cross print for water and glass see it

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  Drag the handle. Left is the original, right is Ice Highlight. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 04Amber Ceilingamber-loaded highlights on a neutral base, warm cross processing for open daylight scenes see it

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  Drag the handle. Left is the original, right is Amber Ceiling. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 05Copper Shiftred gamma raised against a sunken blue gamma for a copper cross-processed mid tone see it

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  Drag the handle. Left is the original, right is Copper Shift. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 06Rust Channelred-dominant cross print with a crushed green mid, for weathered metal and industrial texture see it

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  Drag the handle. Left is the original, right is Rust Channel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 07Orange Floororange-lifted blacks with a blue toe crush, a reversed cross process for late daylight skin see it

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  Drag the handle. Left is the original, right is Orange Floor. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 08Green Bloomgreen-flooded midtones over magenta blacks, a lab-error cross process for fashion frames see it

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  Drag the handle. Left is the original, right is Green Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 09Lime Printacid-green highlights with a red-lifted shadow, a loud cross print for street and skate work see it

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  Drag the handle. Left is the original, right is Lime Print. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 10Teal Printgreen and blue lifted together against a suppressed red mid, cool cross print for coastal frames see it

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  Drag the handle. Left is the original, right is Teal Print. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 11Magenta Toemagenta shadow cast under green highlights, high-impact cross processing for portraits see it

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  Drag the handle. Left is the original, right is Magenta Toe. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 12Violet Baseviolet-lifted blacks with a clean top, a gentle entry point into cross-processed colour see it

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  Drag the handle. Left is the original, right is Violet Base. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 13Warm Reversalreversed toe and shoulder in the warm channels for a bold cross-processed print on skin and cloth see it

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  Drag the handle. Left is the original, right is Warm Reversal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 14Cold Chemistrystrong blue S-curve on a cooled base, a hard cross process for overcast city colour see it

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  Drag the handle. Left is the original, right is Cold Chemistry. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 15Reversal Baththe loudest recipe here, both warm channels driven hard against a crushed blue, for bold colour work see it

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  Drag the handle. Left is the original, right is Reversal Bath. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 16Split Emulsionboth ends lifted and both shoulders pulled back, a soft cross-processed haze for quiet frames see it

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  Drag the handle. Left is the original, right is Split Emulsion. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 17Yellow Crossingwarm highlights against cyan shadows with a hard channel crossover, for bright editorial daylight see it

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  Drag the handle. Left is the original, right is Yellow Crossing. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

• No. 18Blue Crushblue channel pulled down across the whole range for a yellowed cross print with cold blacks see it

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  Drag the handle. Left is the original, right is Blue Crush. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Buying happens on the brand's own store: crossbath.forestech.io.