Faded Print is what a print does when it lives on a shelf in daylight. The shadows go milky, the black never reaches the floor, the colour drains and turns cyan. The set starts at Cyan Wash and runs through the kinds of neglect: window light, an attic box, a corner-mounted album page, fixer left in the paper, a metallic silver cast for overcast streets. Milk Shadow lifts the toe highest; Storage Sleeve stays restrained enough to grade again afterwards.
Old Stock is the other fate. Film kept too long crosses over: green in the shadows, magenta in the highlights, grain gone coarse. Expired Roll is the reference. Emulsion Age carries the heaviest grain in the box; Fridge Shelf only hints at age; Heat Fog lifts the blacks under a magenta ceiling the way a roll left in a hot car does. Moss Tint and Lichen Patch lean green for woodland and stone.
Four drawers: the cool fade, the album, the crossover, the grain. Every preset is filed on the same four frames, a forecourt, a motel door, two friends on a bench and a harbour at dawn, so you can tell the fades apart before you choose one.























