moody film · 15 presets
Duskgrade
Last Light is 15 presets. Every one of them below, each on the same four photographs. Drag any handle.
Get Last Light for $49.99 (list $79.99)
The presets
No. 01Civil Twilightgentle blue-hour look, soft indigo shadows with warm window glow kept honest
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Civil Twilight. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 02Nautical Hourmid-depth blue hour, cooler indigo shadows and amber lamplight, city dusk
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Nautical Hour. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 03Astronomer's Bluedeep blue hour, near-night indigo with only the windows left warm
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Astronomer's Blue. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 04Amber Reelwarm film fade, matte blacks and sunset-leaning midtones, nostalgic dusk
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Amber Reel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 05Slate Reelcool film fade, blue-grey matte blacks and hushed color, rainy-season memory
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Slate Reel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 06Grey Reelneutral film fade, even matte lift and quiet saturation, timeless overcast
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Grey Reel. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 07Rainglass Tealrainy street look, everything hushed except teal reflections held bright
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Rainglass Teal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 08Rainglass Plumrainy night look, neon plum accent glowing against wet desaturated streets
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Rainglass Plum. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 09Candle Hollowdim candlelit room, sunk background and protected warm skin at the flame
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Candle Hollow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 10Hearth Keepwarm interior at nightfall, gentle amber glow with faces lifted from the dark
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Hearth Keep. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 11Dusk Vowromantic dusk portrait, soft contrast and a skin-safe warm-cool split
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Dusk Vow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 12Evening Veildeeper wedding dusk, mauve shadow romance with candle-warm highlights on skin
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Evening Veil. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 13Fir Shadowdark forest look, deep greens sunk toward black with cool damp air
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Fir Shadow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 14Fog Standovercast woodland with fog lifted and soft, greens muted not murdered
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Fog Stand. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
No. 15Mono Nightfallsoft night monochrome, silver dusk tones with honest grain
a booth, kept at dusk
the field after the sun gave up
one door, one light left on
the last stop before dark Drag the handle. Left is the original, right is Mono Nightfall. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.
Buying happens on the brand's own store: duskgrade.forestech.io.