About this pack
This is the portrait roll. Skin goes warm and creamy rather than orange, because the warmth lives in the midtones and the reds are held back. Greens lose their digital snap and settle into olive. The blacks lift a few points so shadows feel like paper, not a screen, and a fine grain sits on top of everything the way it does on a good scan. The ten looks step from a near-clean base to a fuller, richer negative so you can match a whole session without the set ever looking like ten different cameras. Ten presets, one look, one job: the set steps through strength and light so you pick the frame's version rather than fight a slider. Each preset ships as XMP for Lightroom Classic and Lightroom desktop and as DNG for the free Lightroom mobile app, and every one leaves your exposure and crop alone. Warm Negative is film colour for people who remember the album, not the app.
- Skin stays creamy, never orange
- Greens go olive instead of neon
- Blacks lifted like a matte print
- Fine grain that reads as film, not noise
Window-light and open-shade portraits, lifestyle sessions, couples in soft daylight.
The look is inspired by classic warm colour-negative film such as Kodak Portra 400. This product is not made, licensed or endorsed by Kodak. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.
Warm Negative is the world of the 400-speed colour negative: skin that goes creamy instead of orange, greens that sit back and go a little olive, blacks lifted just enough to feel like paper, and a fine grain that reads as memory rather than noise. It is late afternoon, a window, a beach at six, a kitchen table. Nothing in it shouts. The dialect is nostalgia without haze: warm, imperfect, organic, faded at the edges and honest in the middle. Every pack earns its place by one specific thing it does to skin, light or colour.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.