About this pack
Slide film did not fade; it glowed. A landscape on a light box had greens that were greener than the hill, a blue sky that went almost navy at the top, and blacks that were simply black. These ten looks do that: saturation above neutral, contrast high, blacks dense with no lift at all, and the highlights held so the sky keeps its gradient. There is no grain to speak of because slide grain was fine. It is the loudest pack in Chrome Film and it is meant for land, water and weather, not faces. Ten presets, one look, one job, stepping from a light hand to the full effect so you pick the version the frame wants. XMP for Lightroom Classic and Lightroom desktop, DNG for the free Lightroom mobile app; exposure and crop are left to you. Chrome Film is for photographs that belong on a light box or in an album, never on a screen.
- Greens and blues saturated, never muddy
- Blacks dense, no lift
- Sky gradient held
- Fine grain, projected look
Mountain, coast and forest landscapes, big weather, travel views with sky.
The look is inspired by saturated slide film such as Fujifilm Velvia 50. This product is not made, licensed or endorsed by Fujifilm. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.
Chrome Film is the transparency on the light box and the print it turned into thirty years later. Slide film had dense blacks, reds that held, cool shadows and colour that was either vivid or muted but never soft. The dialect is documentary, reportage, the projector, the slide tray, the seventies road trip, the magazine page, and then the album where those pictures faded: milky blacks, a colour shift, dust. Every pack says which end of that story it belongs to and what it does to blacks, reds and shadows that a colour negative would not.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.