About this pack
The faded negative is nostalgia with contrast. Colour is pulled down and the blacks lifted like an old print, but the midtones keep their punch and the shadows lean green rather than blue, which is the difference from the pastel packs. Skin stays warm enough to be a face and there is grain in the shadows. These ten looks run from a light fade to a heavy one; all of them feel like a photograph found in a drawer, taken by someone who knew what they were doing. Ten presets, one look, one job, stepping from a light hand to the full effect so you pick the version the frame wants. XMP for Lightroom Classic and Lightroom desktop, DNG for the free Lightroom mobile app; exposure and crop are left to you. Chrome Film is for photographs that belong on a light box or in an album, never on a screen.
- Faded colour with firm midtones
- Green-leaning shadows, not blue
- Skin held through the fade
- Light fade to heavy
Portraits, street portraits, lifestyle with a nostalgic edge.
The look is inspired by the faded, green-shadow rendering of Fujifilm's Classic Negative simulation. This product is not made, licensed or endorsed by Fujifilm. Inspired by the look of classic film. Not made, licensed or endorsed by the film's maker.
Chrome Film is the transparency on the light box and the print it turned into thirty years later. Slide film had dense blacks, reds that held, cool shadows and colour that was either vivid or muted but never soft. The dialect is documentary, reportage, the projector, the slide tray, the seventies road trip, the magazine page, and then the album where those pictures faded: milky blacks, a colour shift, dust. Every pack says which end of that story it belongs to and what it does to blacks, reds and shadows that a colour negative would not.
Every pack here is its own product with its own page, so you buy the one look you need, and a larger pack or the family collection is always one step up from it.